The film, which was delayed because of to the pandemic, is based mostly on a person of the most renowned incidents from Maratha heritage – the Battle of Pavan Khind. At the outset, the makers make it crystal clear that this is not a finish documentation of the struggle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas included in this fight. So, there are cinematic liberties taken in this retelling, but the crux of the story is taken care of.
The story about the Struggle of Pavan Khind (previously recognised as Ghod Khind) and the bravery shown by Bajiprabhu Deshpande and the Bandal military of 600 against the Siddhi Masud and the troopers of the Adilshahi Sultanate is nicely acknowledged across Maharashtra. The outcome – Chhatrapati Shivaji Maharaj’s successful escape from Panhalgad to Vishalgad. But, does Lanjekar do well in recreating this essential chapter from Marathi heritage on display screen? Totally!
Pawankhind is a extensive cinematic practical experience that is in good shape for the massive monitor. The movie is bold in trying to discover this story in two and a 50 percent several hours, but it mostly succeeds in building the suitable create up and atmosphere that leads to a wonderful climax. From laying out the rationale and the people associated in it, to the siege of Panhala by Siddhi Jauhar, the escape system and the real struggle, Pawankhind lays out all its cards in entrance you chronologically, while inducing a dose of history, drama and even comic reduction in concerning. The film doesn’t pass up out on giving thanks credit to the greater part of the generals who helped Shivaji Maharaj realise his desire of Swarajya.
As for the actors, it is not an simple endeavor to convey some of the most perfectly –known names from the Marathi film and Tv set business together in a multi-starrer of this scale. But the casting department and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal just about every actor has provided his ideal to their roles. Even the supporting solid has some memorable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. One more notable overall performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the gentleman who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are certain to carry tears to your eyes.
Although Pawankhind excels in storytelling, the specialized facets, though excellent, could have been superior. The track record rating overpowers dialogues in some vital scenes, and the action choreography in some scenes fails to make the minimize. Nevertheless, all stated and performed, the total group has finished its very best to make this a major screen experience. It’s possible with a bigger budget, these things can be ironed out in the following movies of Lanjekar’s series.
For now, Pawankhind is a good watch, and at the cinemas only.